TAS Super LP List! Special Merit: Informal

Out of Print! Only a few copies available!

Numbered Limited Edition / Master from the first generation Original Master Tapes

Rolling Stone 500 Greatest Albums of All Time – Rated 12/500!

Michael Fremer’s 100 Recommended All-Analog LP Reissues Worth Owning – Rated 17/100!

Mastered by Krieg Wunderlich at Mobile Fidelity Sound Lab on the GAIN 2™ ultra analog system.

Mobile Fidelity play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master’s sonic information.

“Miles Davis’ 1959 Kind of Blue is a truly revolutionary concept album that’s also a giant hit. Instantly appealing on a dozen levels, it’s still a best-seller after nearly a half-century.” – Fred Kaplan, The Absolute Sound, December 2005 (included in Kaplan’s “Best-Sounding Jazz LPs”)
How does one properly introduce an epochal record? Perhaps by unequivocally stating that it is the best-selling jazz album in history. Or by affirming that, every year, it sells tens of thousands of copies more than five decades after its original release. There’s also the matter of its status as the most-referenced, and arguably, most important, jazz recording of all-time. And the Dream Team lineup of Miles Davis, Cannonball Adderley, John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers, and Jimmy Cobb. Yes, Kind of Blue is utterly inimitable.

In its three-decade-plus history, Mobile Fidelity has never been prouder to have the honor of handling efforts as important as Davis’ key recordings. It’s why the our engineers took every available measure to transport listeners to the March and April 1959 sessions that parlayed modal jazz into mainstream language. The blueprint for melodic improvisation and vamping, Kind of Blue simplifies tonal organization and chordal progression into an eminently beautiful, introspective tapestry stitched with swinging poetry, mellifluous soloing, compositional lyricism, transcendental harmonies, and group interplay of the highest caliber.

While no one has ever completely identified the magic behind the record’s allure – the otherworldly nature is part of its inherent charm – much of the success lies with the band members. Davis intentionally handpicked these musicians to comprise this particular cast, with everyone from former foil Evans to blues maestro Kelly to percussive genius Cobb interacting and reacting with peerless skill.

An audiophile favorite from the day it was issued, Kind of Blue takes on nirvanic sonic proportions via Mobile Fidelity’s reissue. The expressive warmth, imaging clarity, frequency extension, and window-on-the-world breadth afforded by this new edition places music lovers right in the studio with the sextet. Close your eyes and, no matter how many times you may have heard it before, your experience will parallel that of the players that recorded these gems. Everyone shares in the excitement of not knowing what will happen and, as the music begins to lie out in front of you, you’ll feel as if you’ve been whisked away to a jazz holy land. Quintessential.


  • Numbered, Limited Edition
  • 45rpm Speed Edition
  • Half-Speed Production and Mastering by Mobile Fidelity Sound Lab
  • Specially Plated and Pressed on 180 grams of High Definition Vinyl
  • Special Static Free – Dust Free Inner Sleeve
  • Heavy Duty Protective Packaging
  • Mastered from the Original Master Tapes


ID: Mobile Fidelity Sound Lab – MFSL 2-45011, Columbia – 88697943631, Sony Music Commercial Music Group – 88697943631


Cannonball Adderley

Alto Saxophone

Paul Chambers


Jimmy Cobb


Bill Evans


Wynton Kelly


John Coltrane

Tenor Saxophone

Miles Davis

Trumpet, Composed By

A1So What9:28
B1Freddie Freeloader9:53
B2Blue In Green5:42
C1All Blues11:39
D1Flamenco Sketches9:29

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