“For the sound alone it would be a record to wallow in, but so vividly characterized a performance should win many new listeners and enjoyers.” Gramophone, October 1975
This recording of Carmina Burana dates from the zenith of André Previn’s golden era at the helm of the London Symphony Orchestra and has been newly cut at EMI’s Abbey Road Studios from the original stereo EMI Master Tapes. Produced and engineered by the legendary EMI team of Christopher Bishop and Christopher Parker. The album is pressed on 180-gram vinyl to audiophile standards and features the original album artwork. EMI made the recording in both stereo and quadraphonic, an early attempt at surround sound for the now defunct SQ vinyl format. HiQ has used the superior balance of the stereo master tapes.
Musicians: | |
Sheila Armstrong | Soprano |
Gerald English | Tenor |
Thomas Allen | Baritone |
London Symphony Orchestra Chorus | Chorus |
The Clement Danes Grammar School Boys Choir | Choir |
London Symphony Orchestra | Orchestra |
André Previn | Conductor |
A1 | O Fortuna | |
A2 | Fortune Plango Vulnera | |
A3 | Veris Leta Facies | |
A4 | Onmia Sol Temperat | |
A5 | Ecce Gratum | |
A6 | Tanz | |
A7 | Floret Silva | |
A8 | Chramer, Gip Kie Varwe Mir | |
A9 | A) Reie B) Swaz Hie Gat Umbe C)Chume, Chum, Geselle Min | |
A10 | Were Diu Werlt Alle Min | |
B1 | Estuans Interius | |
B2 | Olim Lacus Colueram | |
B3 | Ego Sum Abbas | |
B4 | In Taberna Quando Sumus | |
B5 | Amor Volat Undique | |
B6 | Dies, Nox Et Omnia | |
B7 | Stetit Puella | |
B8 | Circa Mea Pectora | |
B9 | Si Puer Cum Puellula | |
B10 | Veni, Veni, Venias | |
B11 | In Trutina | |
B12 | Tempus Est Iocundum | |
B13 | Dulcissimo | |
B14 | Ave Formosissima | |
B15 | O Fortuna |
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