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Rhythm is the driving force behind Carl Orff’s Carmina Burana. Whether loud and bombastic or sorrowful and gut-wrenching, this work is intensely dramatic. The musical setting of twenty-five poems is sung in medieval Latin and German. Conducted by choral master Robert Shaw, an excerpt of this powerful performance was chosen for the soundtrack of the movie, The Doors.
Hakan Hagegard (tracks: A1 to C3) | Baritone Vocals |
Atlanta Boy Choir (tracks: A1 to C3) | Choir |
Atlanta Symphony Chorus | Chorus |
Carl Orff (tracks: A1 to C3), Paul Hindemith (tracks: D1) | Composed By |
Robert Shaw (tracks: A1 to C3) | Conductor |
Jack Renner | Engineer [Sound] |
Bruce Leek, Richard Donaldson | Mastered By |
Atlanta Symphony Orchestra (tracks: A1 to C3) | Orchestra |
Tom Hill | Photography |
Robert Woods | Producer |
Jim Wolvington, Jules Bloomenthal, Sydney Davis | Recorded By [Digital Recording And Editing] |
Judith Blegen (tracks: C1 to C3) | Soprano Vocals |
William Brown (tracks: B2 to C3) | Tenor Vocals |
| Carmina Burana | ||
| A1 | Introduction: Fortune, Empress Of The World (Nos. 1, 2) | |
| A2 | Part One: In Springtime (Nos. 3 - 5) | |
| A3 | On The Lawn (Nos. 6, 7 | |
| B1 | On The Lawn (Nos. 8 - 10) | |
| B2 | Part Two: In The Tavern (Nos. 11 - 14) | |
| C1 | Part Three: The Court Of Love (Nos. 15 - 23) | |
| C2 | Blanziflor And Helena (No. 24) | |
| C3 | Fortune, Empress Of The World (No. 25) | |
| D1 | Symphonic Metamorphosis Of Themes By Carl Maria Von Weber | |
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