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Here is the first compilation of titles from various TACET productions. The spotlight is neither focussed on an artist, nor a composer, nor a musical theme in this case. The star of this LP is the condenser microphone! An entertaining program of sound samples from the TACET archives takes us through the history of the condenser microphone from 1927 to the present day. The microphones used are: Neumann CMV 3 (1927), M 49 (1949), U 47 (1947); Dummy Head; Sennheiser: Boundary Layer Mic MKE 212 R; BrŸel & Kjaer 4003; Schoeps: Sphere Mic KFM 6 U; Clara: Clara and others.
| A1 | –Joseph Haydn | Streichquartett Op. 74 Nr.1, 2. Satz | 6:46 |
| A2 | –Johann Strauss Jr. | Egyptischer Marsch Op. 335 | 3:56 |
| A3 | –Ludwig van Beethoven | Sonate D-Moll Op. 31 Nr.2, 1. Satz | 8:40 |
| A4 | –Gioacchino Rossini | Petite Messe Solennelle Gloria | 2:53 |
| A5 | –Gioacchino Rossini | Petite Messe Solennelle Crucifixus | 3:33 |
| A6 | –Johann Sebastian Bach | Partita D-Moll BWV 1004, Giga | 3:02 |
| B1 | –Johann Kaspar Kerll | Toccata Terza In A | 5:54 |
| B2 | –Carl Philipp Emanuel Bach | Sonate C-Moll Wq 161a, 2.Satz | 4:30 |
| B3 | –Franz Schubert | Streichquartett G-Dur Op. 161 D887, 3.Satz | 6:36 |
| B4 | –Hugo Wolf | "Heiß` Mich Nicht Reden" Aus Den Goethe-Liedern | 3:37 |
| B5 | –Johann Sebastian Bach | Die Kunst Der Fuge Contrapunctus 9 | 2:12 |
| B6 | –Felix Mendelssohn-Bartholdy | Klaviertrio Op.66 Nr2, 3.Satz | 3:44 |
| B7 | –Richard Rodgers | Blue Moon | 1:11 |
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